Suchergebnisse

Abstract This text proposes to contextualize and analyze the novel by Maria (Nenê) Macaggi (1913-2003), " A mulher do garimpo: o romance no extremo sertão do Amazonas " (The woman from the garimpo: the romance in the Amazon's extreme backlands), published in 1976 by the Official Press of Manaus, drawing a parallel with the author's biographical trajectory. In the 40's, Nenê Macaggi participated in an expedition to the northern region of the country and ended up settling in Roraima. It was in the region of the Tepequem and Cotingo rivers, where Nenê discovered the garimpo and worked as an indigenist for the Indian Protection Service (SPI). Several excerpts from the author's fictional narrative resonate with her trajectory and based on the novel, it is possible to think about historical and gender aspects of artisanal small-scale mining, currently also called garimpo in Brazil. The book tells the story of two characters: Ádria, an orphan born in a tenement in Rio de Janeiro. She was raised as a boy, thus "turning" into José Otávio. As an adult, he migrates to the Amazon region, traveling through several cities, stopping at a mine located at the time in the Territory of Rio Branco, today the State of Roraima. Also Pedro Rocha, a migrant from Ceará to the north of the country, who became a gold miner, but also an extractor of the Amazon's natural riches: rubber tree, natural rubber (caucho and balata) and Brazilnut. The present article also intends to extract information about the garimpo and the gold miners in Roraima, in the second half of the 20th century, present in the descriptions of some chapters of the novel. By presenting elements that can be highlighted in the universe of the garimpo of this region and time, which may come to collaborate towards a better historical understanding of artisanal mining or prospecting in this region. Divided into two parts: trajectory and novel, the article tries to relate literary text and biographical elements of the novelist's work in relation to mining, in order to explore its proximity to the context and history of the mining theme in Roraima.

Eva Zeller is best known for her two autobiographical works, Solange ich denken kann (1981), which centers on the author's troubled relationship with her domineering father, and Nein und Amen (1985), which focuses on a love relationship doomed by the war. Both relationships are portrayed against the backdrop of ever-encroaching Nazi policies. Zeller investigates not only the difficulties of adolescence, here intensified by the additional stress of National Socialism and a world war, but also the possible connections between patriarchal values and attitudes, sexism, and the rise of fascist and totalitarian states.

Autobiographical mode of writing informs the works of many novelists, consciously or unconsciously. There are, however, diverse techniques for formulating these conscious or unconscious autobiographical interpolations in literary works. This essay aims to study the works of Sidonie-Gabreille Colette and Virginia Woolf to trace the nuances of the autobiographical mode in two contemporary female writers from different nations. We do not aim at proving that these two writers deploy the autobiographical mode in their writings, but how similar and different their autobiographical techniques in the creation of fiction are. Therefore, Colette's and Woolf's novels, in general, will be compared and contrasted with an eye on their self-defined strategies for the development of autobiographical fiction.

Abstract
The article applies to three autobiographical novels written in the 1980s and 1990s by citizens of France, second generation Algerian immigrants. The authors of these novels widely relate to their own experience of life in the suburbs of French cities. The protagonists are young people who on the one hand feel French and demand acceptance, and on the other experience acts of discrimination. Moreover, their relationship to traditional Algerian culture is also ambivalent. The place with which they identify themselves is not France, in spite of the citizenship, nor Algeria, in spite of the origin, but their own district, which is a place where they live their everyday life. The author of the article analyzes the chosen novels through the perspective of the republican model of integration which excludes recognition of ethnic origin of the citizens. The article, referring to M. Foucault's theory of heterotopia, argues that although the novels in question sensitize French readers to the various social questions, they, paradoxically, support the typical thinking of the republican model.